<?xml version="1.0" encoding="UTF-8"?>
<!--Generated by Squarespace Site Server v5.11.5 (http://www.squarespace.com/) on Fri, 30 Jul 2010 09:28:03 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>The Voice at 3 AM: American Lit Edition</title><subtitle>American Lit</subtitle><id>http://www.3amvoice.com/study/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.3amvoice.com/study/"/><link rel="self" type="application/atom+xml" href="http://www.3amvoice.com/study/atom.xml"/><updated>2009-08-17T23:17:01Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.11.5 (http://www.squarespace.com/)">Squarespace</generator><entry><title>To a God Unknown: 2</title><id>http://www.3amvoice.com/study/2009/8/17/to-a-god-unknown-2.html</id><link rel="alternate" type="text/html" href="http://www.3amvoice.com/study/2009/8/17/to-a-god-unknown-2.html"/><author><name>Zak Sharif</name></author><published>2009-08-17T19:57:36Z</published><updated>2009-08-17T19:57:36Z</updated><summary type="html" xml:lang="en-US"><![CDATA[I keep coming back to this feeling that the text is different from others which I've read, different qualitatively.]]></summary></entry><entry><title>To a God Unknown: 1</title><id>http://www.3amvoice.com/study/2009/8/8/to-a-god-unknown-1.html</id><link rel="alternate" type="text/html" href="http://www.3amvoice.com/study/2009/8/8/to-a-god-unknown-1.html"/><author><name>Zak Sharif</name></author><published>2009-08-08T20:36:57Z</published><updated>2009-08-08T20:36:57Z</updated><summary type="html" xml:lang="en-US"><![CDATA[I'm about a quarter of the way through the novel, and I wanted to take a moment to reflect.]]></summary></entry><entry><title>Cummings: here's to opening and upward,to leaf and to sap</title><id>http://www.3amvoice.com/study/2009/8/8/cummings-heres-to-opening-and-upwardto-leaf-and-to-sap.html</id><link rel="alternate" type="text/html" href="http://www.3amvoice.com/study/2009/8/8/cummings-heres-to-opening-and-upwardto-leaf-and-to-sap.html"/><author><name>Zak Sharif</name></author><published>2009-08-08T20:10:35Z</published><updated>2009-08-08T20:10:35Z</updated><summary type="html" xml:lang="en-US"><![CDATA[The sentiment is a wonderful, although for cummings a typical, one.]]></summary></entry><entry><title>Cummings: somewhere i have never traveled,gladly beyond</title><id>http://www.3amvoice.com/study/2009/8/4/cummings-somewhere-i-have-never-traveledgladly-beyond.html</id><link rel="alternate" type="text/html" href="http://www.3amvoice.com/study/2009/8/4/cummings-somewhere-i-have-never-traveledgladly-beyond.html"/><author><name>Zak Sharif</name></author><published>2009-08-04T20:49:57Z</published><updated>2009-08-04T20:49:57Z</updated><summary type="html" xml:lang="en-US"><![CDATA[Read next to "She Walks in Beauty" the difference between cummings' view of love and a more traditional, if still romantic, view becomes obvious.]]></summary></entry><entry><title>Cummings: since feeling is first</title><id>http://www.3amvoice.com/study/2009/8/3/cummings-since-feeling-is-first.html</id><link rel="alternate" type="text/html" href="http://www.3amvoice.com/study/2009/8/3/cummings-since-feeling-is-first.html"/><author><name>Zak Sharif</name></author><published>2009-08-03T23:16:35Z</published><updated>2009-08-03T23:16:35Z</updated><summary type="html" xml:lang="en-US"><![CDATA[and kisses are a better fate
than wisdom]]></summary></entry><entry><title>Cummings Intro</title><id>http://www.3amvoice.com/study/2009/8/3/cummings-intro.html</id><link rel="alternate" type="text/html" href="http://www.3amvoice.com/study/2009/8/3/cummings-intro.html"/><author><name>Zak Sharif</name></author><published>2009-08-03T22:50:50Z</published><updated>2009-08-03T22:50:50Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I hate taking things out of context. And, butchering a poem to quote a few lines seems wrong to me, but the final two lines from "you shall above all things be glad and young." suggest a complete way of life in 18 words:</p>
<p>I'd rather learn from one bird how to sing<br />than teach ten thousand stars how not to dance</p>
<p>cummings poetry contains a radically romantic worldview. It's so alien from the suburban<a href="http://www.amazon.com/Dharma-Bums-Penguin-Classics-Deluxe/dp/0143039601/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1249340384&amp;sr=8-1"> "middle-class non-indetity" </a>I grew up in that I found it incomprehensible the first few times I read his work. Over the years, I've come to wish I could live the way his poems insist is possible. I've chosen a poem that contains the essence of that worldview, a poem that captures love, and one that fell a few lines short of greatness (just to be fair).&nbsp; I might skimp on the analysis of some of the poems. cummings, more so than most, needs to be felt and lived. While careful reading is necessary for understanding, it feels hideously wrong to approach cummings analytically. Without further ado, the great e e cummings.</p>]]></content></entry><entry><title>Blood Meridian: Judge Holden</title><id>http://www.3amvoice.com/study/2009/7/27/blood-meridian-judge-holden.html</id><link rel="alternate" type="text/html" href="http://www.3amvoice.com/study/2009/7/27/blood-meridian-judge-holden.html"/><author><name>Zak Sharif</name></author><published>2009-07-27T22:20:56Z</published><updated>2009-07-27T22:20:56Z</updated><summary type="html" xml:lang="en-US"><![CDATA[It is the judge as the dancing, undying, grinning face of evil that is most important to the novel as a whole]]></summary></entry><entry><title>Blood Meridian: Judge Intro</title><id>http://www.3amvoice.com/study/2009/7/27/blood-meridian-judge-intro.html</id><link rel="alternate" type="text/html" href="http://www.3amvoice.com/study/2009/7/27/blood-meridian-judge-intro.html"/><author><name>Zak Sharif</name></author><published>2009-07-27T22:01:11Z</published><updated>2009-07-27T22:01:11Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>This was an extraordinary novel. I feel like an entire semester could be spent on it. I'd love to delve into his style particularly the absence of quotation marks and the frequency with which he describes characters as naked except for one or two articles of clothing. Race and otherness are also treated in a fascinating manner. Obviously the violence and how effective he is at expressing it are important topics, but because of practical limitations, I'm sticking with the most fascinating character, the judge.</p>]]></content></entry><entry><title>Blood Meridian 1</title><id>http://www.3amvoice.com/study/2009/7/21/blood-meridian-1.html</id><link rel="alternate" type="text/html" href="http://www.3amvoice.com/study/2009/7/21/blood-meridian-1.html"/><author><name>Zak Sharif</name></author><published>2009-07-21T21:47:19Z</published><updated>2009-07-21T21:47:19Z</updated><summary type="html" xml:lang="en-US"><![CDATA[The first few pages of Cormac McMcarthy's Blood Meridian are so dense and so brilliant that I hardly know where to start.]]></summary></entry><entry><title>Tate 3</title><id>http://www.3amvoice.com/study/2009/7/18/tate-3.html</id><link rel="alternate" type="text/html" href="http://www.3amvoice.com/study/2009/7/18/tate-3.html"/><author><name>Zak Sharif</name></author><published>2009-07-18T23:57:32Z</published><updated>2009-07-18T23:57:32Z</updated><summary type="html" xml:lang="en-US"><![CDATA["The Pet Deer" is from 1970's Oblivion Ha-Ha]]></summary></entry></feed>